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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Wednesday, September 12, 2012

Ichiro Suzuki, Royal College of Arts Designer in the UK

©ourtesy of THESTYLECOLUMN
Ichiro Suzuki, Graduate – This British fashion collection has a fashion designer with a genius in mind. With graphic prints and beautiful 3-D elements, Ichiro Suzuki created something truly bold and innovative. From pixels and fur to 3-D cubes on blazers, whilst eccentric there is an intelligent design that is admirable. You can be bold and still retain a sense of conservatism Suzuki emphasized. British fashion definitely rocks with the help of Ichiro Suzuki.

Tuesday, May 8, 2012

Fashion Illustration: 1930′s Ads

Special Vintage Drawings

©ourtesy of Gentlemen’s Gazette
Fashion Illustrations in 1930′s Ads 
Fashion illustration from the 1930′s enjoyed by many of our readers have an affinity to  for artists like  L. FellowsLeslie Saalburg, and J. C. Leyendecker. While we mostly discuss editorial pictures, I want to focus on fashion illustration from magazine ads today. Back in the day, it was normal for a publisher to design an ads together with the advertiser. Though as you can imagine, a magazine publisher could only employ a limited number of fashion illustrators to serve all their clients. In order to demonstrate each brand’s unique image, the fashion illustration were often very different from each other.
Arrow Shirts Sanforized Shrink 1931Arrow Shirts Sanforized Shrink 1931
Interestingly, ads from the early 1930′s have a stronger resemblance of the 1920′s illustrations ads, which were more simplistic and relied more heavily on lines than details. Nevertheless, even during that time period, there were huge differences in drawing styles, and soon you would see illustrated ads that were just as nice as the illustration you all enjoy so much. Now, let’s discuss a few ads and styles: Continue reading

Tuesday, January 3, 2012

Renaissance Fashion & Fencing

Partial Armour, Italian, C.1570-90. ©Permission
LONDON.- Witness the cutting edge of fashion as you’ve never seen it before! This exhibition tells the untold story of this fascinating and little known area of Renais- sance art: revealing the fantastically skilled artistry behind the rapier; at once a weapon, fashion item, and rich jewellery object; representing the rise of a new and upwardly mobile middle class, sixteenth-century con- cepts of masculinity and the emergence of the duel of honour. Summer 2012 represents the perfect opportunity to investigate the historical and social development of the ancient art of sword-fighting. The modern sport of fencing is one of the nine original Olympic sports but is also a piece of a much older story which began with the Renais- sance fashion for carrying and fighting with swords in everyday life. A man of means in the sixteenth century went nowhere without his sword, and was always prepared to use it. – - Read more

Wednesday, November 2, 2011

The Fabric of the Cosmos

Pixeldust Studios produced over 1,000 animations and visual effects that will be featured in the upcoming, four-part NOVA television series, The Fabric of the Cosmos. Based on the best-selling book by author Brian Greene (The Elegant Universe), The Fabric of the Cosmos will air on PBS for four consecutive Wednesdays, beginning Nov. 2. 
Pixeldust Studios produced over 1,000 animations and visual effects that will be featured in the upcoming, four-part NOVA television series, The Fabric of the Cosmos. Based on the best-selling book by author Brian Greene (The Elegant Universe), The Fabric of the Cosmos will air on PBS for four consecutive Wednesdays, beginning Nov. 2. For Ricardo Andrade, Pixeldust Studios’ founder/executive creative director, The Fabric of the Cosmos presented a unique opportunity to imagine the mysteries of the universe in visually engaging and accessible ways. – – follow more Read

Friday, May 13, 2011

Daphne Guinness Wants to Showcase Her Isabella Blow Collection in a ‘Virtual Museum’

Daphne Guinness calls buying all of late fashion editor Isabella Blow's wardrobe to halt its auction "probably the maddest decision ever." Speaking late last week to Platinum and Centurion American Express cardholders at an exclusive tour of the Met's new "Savage Beauty" exhibit — showcasing the work of her and Blow's friend Alexander McQueen — she explained
I thought what’s going to happen is the pieces are going to be lost. She had an incredible eye and she truly loved her pieces, they're like a diary. I didn’t want to buy them and wear them, I wanted to buy them and keep them because I think it’s very interesting for students and people who are interested in fashion to see.
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You can Also CLICK HERE to View 'Slideshow'
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Monday, April 25, 2011

How to Read Costume on Film

Clothes on Film 
 In this abridged version of a feature originally published in Moviescope magazine in December 2010, Clothes on Film take an overview look at how to ‘read’ costume design. Costume design remains one of the most misunderstood and underappreciated filmmaking arts. Far in excess of merely ‘dressing’ an actor for their role, costume design is discourse. A film can be read via costume; sometimes overtly, sometimes subtextually. Not just conspicuous sci-fi or period, but contemporary stories set within a familiar world in familiar attire. On screen even the most rudimentary item of clothing can take on meaning. .....more on this 

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Thursday, February 17, 2011

Sansovino 6: Italian Unisex Knitwear

V Contributing Fashion Editor Beat Bolliger nominates Italian knitwear label Sansovino 6 for V69 THE DISCOVERY ISSUE:
“If there is one line to discover right now it has to be Sansovino 6 by Edward Buchanan. A unisex knitwear line based on innovative techniques, it has a very cool look and feels amazing to wear. Check it out!” Some looks from Sansovino 6’s Spring/Summer collection, modeled by Lea T.




Tuesday, January 25, 2011

All About Costume Designer: Jeffrey Kurland

The actors are in the foreground, so the costumes are in the foreground,” comments costume designer, Jeffrey Kurland, Oscar-nominated for Bullets Over Broadway. Yet whereas a period or fantasy costume might pop off the screen due to the nature of the clothing and the spectacle of the films, the average viewer may not even notice contemporary costumes because they are so integrated into the experience of a film as a whole. If that is the case, how does one not only vote for costume design, but first recognize costume design that is award winning?

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